How to connect laptop to receiver for sound

how to connect laptop to receiver for sound

How to connect your Computer to your Stereo

Jul 25,  · To set up surround sound in Windows Right-click on the sound icon in the system tray and select “Open Sound Settings.” Under “Related Settings,” you should click on “Sound Control Panel.” In the Sound Control Panel, make sure the output to your AV receiver is set as the default device. Author: Jason Faulkner. Apr 14,  · Connect a stereo mini-pin cable from the speaker output on the computer sound card to an available input on the receiver. NOTES: Do not use the PHONO input on the receiver for this connection. Most AV receivers use composite type connections for inputs. An adapter cord may be needed to allow connection from the computer to the receiver. Some Sony® VAIO Digital Studio® .

There are many ways you can how to connect laptop to receiver for sound music from your computer to your stereo. Depending on what type of audio equipment you use, and how your system is set up, you may choose a different method. Each of these methods addresses a different type of setup, such as whether your amplifier or receiver has an onboard DAC, or whether you use a standalone DAC.

Note that the first method is the only way of sending analog audio to a stereo device; all the other methods below send digital what is a drop bottom duffel bag. If you want to send multi-channel audio to your receiver or amplifier, then you must use a digital connector of some sort. Amplifiers and receivers have lots of connections, and the most complex — AV receivers — give how to connect laptop to receiver for sound plenty of options, but less feature-rich devices offer fewer connectors.

I use a couple Airport Expresses, one connected directly to the stereo, and the other connected to how to connect laptop to receiver for sound FM transmitter.

How do you connect your Mac to the receiver? AirPlay or TOSlink or copper? Any perceptible difference? I currently use AirPlay over Ethernet to my office receiver, which is where I how to set up a new wifi connection the most. It sounds a bit better than over copper wires, because of the DAC in the receiver.

Too many ways to skin the cats. Vintage DAC is probably not what causes rust spots on hydrangeas hot either.

Hi, regarding 10, the Apple TV 3rd gen has a full size Toslink jack. This is true of many other receivers as well, only a small minority actually mention the how to connect laptop to receiver for sound Ipod connection as a feature, even ones that have that front facing USB port.

I believe even the Yamaha you reviewed does not specifically mention an Ipod direct connection. And would you still have the ability to control the music through the Ipod itself? I reviewed the ; it has no USB, front or back. As far as I understand, a front USB connector is for things like an iPod or a flash drive, and a rear connector will allow you to stream music via the internal DAC.

They work differently, in that the one that can read how to connect laptop to receiver for sound a device shows its director tree, and the other just accepts an audio stream.

Thanks but it looks like it is impossible to connect an Ipod Classic to it, only has a lightning to USB connector, any recommendations for an Ipod Classic? All work well. This allows me to control those speakers using the same software as the rest of the house. It also works with Airfoil if you have sources of music on your computer outside of iTunes and want to use Airplay. I use a combination of both WiFi and Ethernet for network connections, although Ethernet is preferred due how to clean pool pump basket the reliability of the connection.

I have a wired Gigabit network in the house and a Network Switch connected to the Router. I have a NAS on the network and it contains all my music files. Is this correct? Here is the current status: 1. I also have the house fully wired with RG-6 for video and possibly audio, see below 2.

I could use that and also keep my music about 25, FLAC files on it. I understand there are other Media Player software out there that could serve me well and cost less? I assume if I use the NUC setup that I can stream my music directly to the receiver via Ethernet and using any compatible device such as my Android tablet to select music and view music information?

Is this a better idea? Or could I perhaps use the NAS installing the music files there? Which of the above approaches would you recommend? Which is most future proof or flexible I do not wish to make a lot of equipment changes later? I would recommend posting in the Computer Audiophile forum, where you will certainly get lots of great advice:. See how that works out for you before advancing to other options.

Thanks for advice! That may very well be my only option but I rather spend my time listening to music. Ethernet plugs into computer. Thanks Such. My receiver have all the connections, dvd, tv, sat, video except for aux…hich one do I us for the sound? What cables do i need to go from the 3. Would i use 3. This site uses Akismet to reduce spam. Learn how your comment data is processed. This method is inexpensive and simple to use, and the headphone jack can plug into any computer, and most any other device that can play music.

With the notable exception of the iPhone 7. Cables like this are available at many lengths, and you can add extension cables if you need something even longer. This assumes, of course, that your amplifier or receiver has a Toslink input. This is essentially an RCA jack, but that sends digital data. Many receivers and amplifiers that have onboard DACs have a coaxial jack as well.

This cable can also transport video from devices, such as streaming boxes. Cables for this are inexpensive.

As with method 2 above, devices only have this jack if pokemon soul silver how to get shiny pokemon without cheats have an onboard DAC. If your amplifier or receiver has an Ethernet jack, you can connect your computer to it with an Ethernet cable. See method 9 for a variant on this. Using AirPlay or Bluetooth if the device is within range for the latteryou can stream audio to the amp or receiver.

Some stereos have these technologies built in; some offer the possibility to purchase a wi-fi adapter, so you can use AirPlay. If you have an amplifier or receiver that supports AirPlay but does not have wi-fi, you can use a powerline adapter to connect the stereo device via Ethernet, and stream from your computer.

If you use iTunes with AirPlay, the app will see the device on the network and stream to it. I find the quality of streaming is better with a powerline adapter than over wi-fi, even for audio devices that have built-in wi-fi, since their antennae are generally not what is a lupine animal good.

The AirPort Express has a headphone jack, offering analog and optical audio, as does the Chromecast Audio. There are also a number of other streaming devices, mostly designed for video, which may support audio. Have I left any out? If so, feel free to mention your alternate methods in the comments. Click to share on Twitter Opens in new window Click to email this to a friend Opens in new window. Plenty of devices have AirPlay now. Yes i know there are.

My question is what program sCould you give me some examples? Thank you. Looking for advice on how to proceed with my Audio Server setup. What do you think? Cancel reply. Sorry, your blog cannot share posts by email.

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The easiest way to connect the audio output of your computer is to use the "line" output of your sound card. We recommend a stereo mm mini phone plug to dual RCA cable or mini plug to dual RCA jack adapter with a RCA jack stereo cable to go to the audio input . Oct 25,  · How to Connect a Computer to a Sound System Receiver. How to Connect a Computer to a Sound System Receiver. Apr 29,  · There's a number of great ways you can connect your computer to your stereo. The simplest way to do it is just using an analog cable. Pretty much every computer out there today has a headphone jack so you can take advantage of medatlove.coms:

It's usually not so hard! Nowadays there is so much "content" out there to be had it is hard to believe you should have to pay for any of it! But size still matters. Why watch something on that little laptop when I have this big TV?! And once you get the video on the big screen you have to supersize the audio as well. Then again, sometimes you just want to listen to some music.

Spotify, Pandora, iTunes, plus a zillion online radio stations? While there is a lot of video on the web, the Music is almost unlimited!

The "In's and Out's": Home audio amplifiers are pretty standardized as far as input and output levels. This includes "Integrated" Amplifiers Preamp and power amp combined in a single chassis , as well as Receivers - both stereo and surround sound. Stereo amplifiers and receivers have two analog RCA jack connectors for input for each device. All of these except the "phono" inputs are at standard consumer "Line" levels.

Surround sound amps and receivers have all of their analog inputs and outputs except phono at this same level. Line level should be the preference if available. You may need to turn down the headphone outpput level a bit if the audio sounds distorted. Remember to go from output to input. Home audio power amplifiers also have "Line" level inputs, but they have very little in the way of volume and tone controls and switching.

They simply amplify the signal. These are not recommended for connecting to your computer. We recommend a stereo 3. The longer the length of the cable run, the more the quality of the cable will effect sound quality. Specifically, the lower the capacitance per foot of the cable, the less high frequency loss there will be. You can use the same cabling options to go the other way. You can then edit the audio files and playback music directly from your computer; and, even better, convert the files to wav, lossless or MP3's with the appropriate software for subsequent transfer to mobile devices.

To accomplish this, you need to connect the audio input of your computer to the audio output of your stereo receiver. We recommend a 3. If it's a "mic" input you may have to tweak the levels down, since mics usually have a very low output. You then connect the RCA jack stereo ends to the main audio output of your stereo receiver, if it has one, or to a routable output such as one of the "tape" output jacks. Many audio systems have tape ins and outs so you can connect up your computer through these to use it as a tape recorder as well as a sound source.

Example Connections: 3. Custom made in the U. Many of us have old cassette tapes or other ancient audio sources that we want to preserve or combine to create custom playlists. Computer recording software is perfect for this purpose. Assuming your computer is loaded with the appropriate computer recording software, you will need to connect the audio input of your computer to the audio output of your tape deck or cd player.

You then connect the RCA jack stereo ends to the audio output of your tape deck or cd player, such as one of the "tape" output jacks. Getting a good cassette deck in late is clearly half the battle to doing some cassette tape archiving. Yes, you can still buy them new, but in this case it's worse than buying a car, once you leave the showroom, they are worth a fraction of what you just paid. Buying online used decks from eBay is also very tricky, and if you are not careful you can waste a lot of money!

First - never buy an "as is" cassette deck. These things are outlived by fruit flies. The person who put it up probably tested it for a total of five minutes and it will certainly start eating tapes after 15 minutes of use - just when you thought it was ok and put in your priceless recording of Uncle Ralph singing "My Way".

Don't be fooled by recognizable brands unless they are studio tough brands like Tascam or Nakamichi. Even these you need to be skeptical about. Cassette decks are all about rubber belts, rubber wheels, "heads" that wear out and buttons that wear out. If you can't get a 30 day guaranty, at least get a promise that it will work for a week. Don't rush, one will come along at a good price. There are just not that many people dying to buy 20 year-old technology! The added benefit of paying more for a studio quality deck is that you should have no trouble selling it later.

Schools, Universities and Professional audio Archivists continually find new recordings that are worthy of digitizing, so a top notch Deck like a Nakamichi Dragon or a Tascam Mk III is not going to lose you much money, if any in a future sale. Just get it cheap and guaranteed! Finally, don't expect miracles. That tape you spilled champagne on in the limo to the prom is not going to work in ANY cassette player!

Even if in normal condition, some of those old tapes may be so degraded that only a professional archivist can safely get the sound off of the tape. Have you ever tried to put a tape into a new shell? Trust me, surgeons don't want that kind of ordeal. At times they have to go to extreme measures which you and I are not just too lazy or uncoordinated enough to do, but also, not educated enough in the weird skill set required, to do. Professional Audio archiving is a weird science requiring mechanics, chemistry, computer, math and manual dexterity skills.

So if you have content that is really critical, you should at least consult a pro for pricing. Of course, uncle Ralph singing "Like a Virgin" in drag may be a hilarious memory, but it may not be worth the price of a professional archiving job. Assuming you have the software you need, the first thing to do is check the buttons, switches and connections and get the deck ready to work with your sound card. When recording from the radio you should turn on the mpx filter.

If you are using home recorded tapes that are Metal or CrO2 you should change that setting appropriately. The Cassette decks output should go to the sound cards "Line" input usually color coded green not the Mic input.

So, an adapter or cable with RCA to mini plug connectors will be necessary. The second thing to do in the recording setup process is to set up the tape deck output and sound card input so you have the maximum volume coming from the tape deck possible without overloading the input of the sound card or other audio interface.

On commercial tapes you generally don't have to worry about the cassette decks output level as much as with self recorded tapes, so you can often just just crank it up to maximum. This is certainly not true of all tapes, so be careful, monitor your levels and adjust.

The reason for getting the maximum output level is that you want the lowest noise level possible on your digital recording. Cassette tapes or reel to reel for that matter have limited signal to noise ratios compared to a good sound card. On the other hand, you don't want to crank things up too high to lower your noise "floor" at the expense of dynamic compression and distortion. Raising the noise floor may give you a bit more "hiss" between songs, but that is usually pretty easy to eliminate using software on the computer.

Eliminating distortion on the other hand, is extremely difficult if not impossible. There is Pro level software that can do a reasonably good job of it, but it is very expensive, and no software like this is ever perfect. On self recorded tapes, you need to make sure the output is not too hot. You should be able to determine overloaded output from the meters. Occasional momentary peaks just barely going into the red is often acceptable. Use your ears as your guide to some extent here, but don't bet your time on them.

Finding out you have some ever so slightly distorted parts later on in the process means starting over from the beginning. Not fun at all. Once sure of your output level, get your input level correct. Follow the same rules. Occasional peaks may be fine. You should definitely try a test recording or two when learning your sound cards meter accuracy. It is not uncommon, especially with built-in sound or inexpensive sound cards to have inaccurate metering.

Listen carefully to the recordings for anything nasty. Digital distortion should be easier to hear than typical tape drive overload or the distortion on heavily distorted metal or grunge music, for example. Big Note: Cassette tapes are fragile and lose sound quality due to stretching, fraying, residues and all sorts of other reasons. Don't expect to be able to clean up this sort of thing.

It isn't the fault of the sound card if the tape is messed up. Monitor the tape decks output if you suspect the tape is damaged. OK, so now, presumably you are ready to record.

Different software will use different procedures, but it's all pretty similar. First you "Arm" set record check box to on, not hit the record transport button on the tracks you want to record on. A single channel is often set to record in stereo - read the manual or help file for your software!

Monitor the input levels to make sure you're levels are ok. Some high quality cassette decks have a RTZ return to zero button which is really helpful to set up starting the tape just before the song starts.

Use it! You will want to Hit the record button on the software just before hitting "play" on the cassette deck. Stop recording when the song is done, or if you are recording a whole side at once, when the side is complete.


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